{"id":367,"date":"2024-11-02T08:31:37","date_gmt":"2024-11-02T08:31:37","guid":{"rendered":"https:\/\/0n4xq7byora.preview.infomaniak.website\/plumas-5-la-langue-doc-en-scene-lever-de-rideau-sur-le-theatre-en-langues-de-france\/"},"modified":"2026-02-11T12:41:15","modified_gmt":"2026-02-11T12:41:15","slug":"plumas-5-la-langue-doc-en-scene-lever-de-rideau-sur-le-theatre-en-langues-de-france","status":"publish","type":"post","link":"https:\/\/aieo.org\/fr\/plumas-5-la-langue-doc-en-scene-lever-de-rideau-sur-le-theatre-en-langues-de-france\/","title":{"rendered":"Plumas 5 | La langue d&rsquo;oc en sc\u00e8ne \/ Lever de rideau sur le th\u00e9\u00e2tre en langues de France"},"content":{"rendered":"<h1><strong><span style=\"font-family: 'Calibri',sans-serif;\">La langue d&rsquo;oc en sc\u00e8ne \/ Lever de rideau sur le th\u00e9\u00e2tre en langues de France<\/span><\/strong><\/h1>\n<ul>\n<li>Sylvan Chabaud et Marie-jeanne Verny \/ <a href=\"https:\/\/plumas.occitanica.eu\/1502\">Sc\u00e8ne d&rsquo;exposition<\/a><\/li>\n<\/ul>\n<h2>Aux origines\u00a0\/A las originas<\/h2>\n<ul>\n<li>Gilda Ca\u00efti-Russo \/ <a href=\"https:\/\/plumas.occitanica.eu\/1467\">La mise en sc\u00e8ne de la parole d&rsquo;oc au Moyen \u00c2ge<\/a><\/li>\n<li>Jean Sibille\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1301\">La langue des Myst\u00e8res alpins<\/a><\/li>\n<li>Laurent Alibert\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1465\">Th\u00e9\u00e2tre m\u00e9di\u00e9val occitan et anglais\u00a0: une \u00e9bauche de comparaison<\/a><\/li>\n<\/ul>\n<h2>F\u00eates, repr\u00e9sentations, chants et tr\u00e9teaux \/ F\u00e8stas, representacions, cants e emponts<\/h2>\n<ul>\n<li>Florian Vernet\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1317\">Gaspard Zerbin Dramaturgue sestian de la debuta del s\u00e8gle XVII<\/a><\/li>\n<li>B\u00e9n\u00e9dicte Louvat\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1292\">Les derniers feux du Th\u00e9\u00e2tre de B\u00e9ziers (1657)<\/a><\/li>\n<li>Xavier Bach et Pierre-Joan Bernard\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1303\">Le th\u00e9\u00e2tre chant\u00e9 en occitan (XVII<sup>e<\/sup>-XVIII<sup>e<\/sup> si\u00e8cles)<\/a><\/li>\n<li>Jean-Fran\u00e7ois Courouau\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1294\"><em>Lou Novy para <\/em>(1743) de Jean-Baptiste Coye\u00a0: une pi\u00e8ce proven\u00e7ale ou une pi\u00e8ce fran\u00e7aise\u00a0?<\/a><\/li>\n<\/ul>\n<h2>Le dramo, le th\u00e9\u00e2tre d&rsquo;oc au XIXe si\u00e8cle \/ Lo dramo, lo teatre d&rsquo;\u00f2c al s\u00e8gle XIX<\/h2>\n<ul>\n<li>Corinne Lissalde\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1360\">Th\u00e9odore Aubanel \u00e9pistolier et dramaturge<\/a><\/li>\n<li>Jean-Claude For\u00eat\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1424\">Qualques remarcas dramaturgicas sus <em>Lou Pan d\u00f3u pecat<\/em> : lo teatre d&rsquo;Auban\u00e8l dins la dramaturgia francesa e europ\u00e8a del s\u00e8gle XIX<\/a><\/li>\n<li>Sylvan Chabaud\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1469\"><em>Amour de maire\u00a0<\/em>: un teatre claus\u00a0?<\/a><\/li>\n<\/ul>\n<h2>Le th\u00e9\u00e2tre d&rsquo;oc au d\u00e9but du XXe si\u00e8cle \/ Lo teatre d&rsquo;\u00f2c a la debuta del s\u00e8gle XX<\/h2>\n<ul>\n<li>Claire Torreilles\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1291\">\u00c9mile Barthe (1874-1939) et le th\u00e9\u00e2tre d&rsquo;oc populaire<\/a><\/li>\n<li>Emmanuel Desiles\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1388\"><em>L&rsquo;Oulo d&rsquo;Arpian<\/em> de Marius Chabrand, \u00ab\u00a0<em>uno tant poulido mescladisso<\/em>\u00bb<\/a><\/li>\n<\/ul>\n<h2>Po\u00e8tes et romanciers \u00e0 l&rsquo;\u00e9preuve d&rsquo;une \u00e9criture dramatique \/ Po\u00e8tas e romanci\u00e8rs a l&rsquo;espr\u00f2va d&rsquo;una escritura dramatica<\/h2>\n<ul>\n<li>Jean-Claude For\u00eat\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1319\">Las doas temptativas dramaturgicas de Joan Bodon<\/a><\/li>\n<li>Olivier Pasquetti\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1561\">De Volpone \u00e0 Volpin, le th\u00e9\u00e2tre de Jan-Luc Sauvaigo<\/a><\/li>\n<\/ul>\n<h2>Exp\u00e9riences th\u00e9\u00e2trales occitanes contemporaines \/ Experi\u00e9ncias teatralas occitanas contemporan\u00e8as<\/h2>\n<ul>\n<li>Marie-Jeanne Verny\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1425\">Dans la mouvance de mai 68, <em>Lo Teatre de la Carri\u00e8ra,<\/em> une aventure d&rsquo;un quart de si\u00e8cle<\/a><\/li>\n<li>Claire Torreilles\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1426\">Catherine Bonaf\u00e9, <em>R\u00e9surgence<\/em>, <em>Quinze ann\u00e9es au<\/em> Teatre de la Carri\u00e8ra (1971-1986)<\/a><\/li>\n<li>R\u00e9my Gasiglia\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1320\">Les com\u00e9dies historiques du Th\u00e9\u00e2tre Ni\u00e7ois de Francis Gag (2006-2016)<\/a><\/li>\n<li>Sylvan Chabaud\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1464\">Andr\u00e9 Neyton, Il fallait \u00eatre fou<\/a><\/li>\n<\/ul>\n<h2>Lever de rideau sur le th\u00e9\u00e2tre en langues de France \/ Levar de rid\u00e8u sus lo teatre en lengas de Fran\u00e7a<\/h2>\n<ul>\n<li>Ange Pomonti\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1406\">Le th\u00e9\u00e2tre d&rsquo;expression corse\u00a0: quel r\u00f4le \u00e0 l&rsquo;aune du processus d&rsquo;\u00e9laboration litt\u00e9raire\u00a0?<\/a><\/li>\n<li>Erwan Hupel\u00a0: <a href=\"https:\/\/plumas.occitanica.eu\/1447\">Br\u00e8ve histoire du th\u00e9\u00e2tre en langue bretonne<\/a><\/li>\n<\/ul>\n<p>https:\/\/plumas.occitanica.eu\/1280<\/p>","protected":false},"excerpt":{"rendered":"<p>numer\u00f2 de revista<\/p>","protected":false},"author":1,"featured_media":461,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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