{"id":391,"date":"2025-05-09T12:54:55","date_gmt":"2025-05-09T12:54:55","guid":{"rendered":"https:\/\/0n4xq7byora.preview.infomaniak.website\/plumas-joan-ganhaire\/"},"modified":"2025-05-09T12:54:55","modified_gmt":"2025-05-09T12:54:55","slug":"plumas-joan-ganhaire","status":"publish","type":"post","link":"https:\/\/aieo.org\/fr\/plumas-joan-ganhaire\/","title":{"rendered":"Plumas: Joan Ganhaire"},"content":{"rendered":"<p><a href=\"https:\/\/plumas.occitanica.eu\/1829\" target=\"_blank\" rel=\"noreferrer\">A Fabiana<\/a> &ndash; <strong>Joan Ganhaire<\/strong><\/p>\n<p><a href=\"https:\/\/plumas.occitanica.eu\/1834\" target=\"_blank\" rel=\"noreferrer\">Dobrir la p&ograve;rta dau reirlutz<\/a> &ndash; Marie-Jeanne Verny<\/p>\n<p><strong>Fabienne Garnerin, un travail au long cours \/ <\/strong>Fabiana Garnerin, un trabalh sul t&egrave;rme long<\/p>\n<ul>\n<li>Fabiana Garnerin &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1827\" target=\"_blank\" rel=\"noreferrer\">Lo monde segon Joan Ganhaire<\/a><\/li>\n<li>Fabienne Garnerin &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1783\" target=\"_blank\" rel=\"noreferrer\">Un obscur objet de d&eacute;sir, l&rsquo;<em>Occit&agrave;nia<\/em> comme &Eacute;tat-Nation dans les romans policiers de Joan Ganhaire<\/a><\/li>\n<li>Fabienne Garnerin &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1792\" target=\"_blank\" rel=\"noreferrer\">Joan Ganhaire&nbsp;: l&rsquo;exp&eacute;rience du m&eacute;decin au service de l&rsquo;&oelig;uvre litt&eacute;raire<\/a><\/li>\n<li>Fabienne Garnerin &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1807\" target=\"_blank\" rel=\"noreferrer\">Jean Ganiayre \/ Joan Ganhaire&nbsp;: rire pour supporter l&rsquo;insupportable<\/a><\/li>\n<\/ul>\n<p><strong>&Eacute;tudes compar&eacute;es \/ <\/strong>Estudis comparats<\/p>\n<ul>\n<li>Monica Longobardi &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1911\" target=\"_blank\" rel=\"noreferrer\">Tra <em>reirlutz<\/em> e <em>ubagu <\/em>: Joan Ganhaire e Italo Calvino<\/a> \/ <a href=\"https:\/\/plumas.occitanica.eu\/1740\" target=\"_blank\" rel=\"noreferrer\">Entre <em>reirlutz<\/em> et <em>ubagu&nbsp;<\/em>: Joan Ganhaire et Italo Calvino<\/a><\/li>\n<li>Florian Vernet &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1649\" target=\"_blank\" rel=\"noreferrer\">Joan Ganhaire e Florian Vernet, un pauc d&rsquo;ist&ograve;ria liter&agrave;ria a l&rsquo;us de las joves generacions<\/a><\/li>\n<li>Marie-Jeanne Verny &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1703\" target=\"_blank\" rel=\"noreferrer\"><em>Lo darri&egrave;r daus Lobaterras<\/em> e <em>La B&egrave;stio d&oacute;u Vacar&eacute;s<\/em>: n&ograve;tas sus qualques semblan&ccedil;as&#8230;<\/a><\/li>\n<li>Jaume Figueras i Trull &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1714\" target=\"_blank\" rel=\"noreferrer\">Hic dracones sunt<\/a><\/li>\n<\/ul>\n<p><strong>Regards particuliers sur les &oelig;uvres \/ <\/strong>Agachs particulars sus las &ograve;bras<\/p>\n<ul>\n<li>Yan Lespoux &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1767\" target=\"_blank\" rel=\"noreferrer\">Joan Ganhaire &ndash; <em>Dau vent dins las plumas <\/em>e <em>Las islas jos lo sang<\/em>, n&ograve;tas de lectura<\/a><\/li>\n<li>Marie-France Fourcadier &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1704\" target=\"_blank\" rel=\"noreferrer\">Vidas en clar-escur<\/a><\/li>\n<li>Marie-Jeanne Verny &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1680\" target=\"_blank\" rel=\"noreferrer\"><em>Lo darri&egrave;r daus Lobaterras<\/em> : qualques asp&egrave;ctes de la bastison narrativa<\/a> \/ <a href=\"https:\/\/plumas.occitanica.eu\/1696\" target=\"_blank\" rel=\"noreferrer\"><em>Lo darri&egrave;r daus Lobaterras<\/em> : quelques aspects de la construction narrative<\/a><\/li>\n<li>Felip Gardy &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1832\" target=\"_blank\" rel=\"noreferrer\">Joan Ganhaire, <em>Lo Pacient espanh&ograve;u<\/em><\/a><\/li>\n<\/ul>\n<p><strong>L&rsquo;architecture de l&rsquo;&oelig;uvre&nbsp;: <\/strong>L&rsquo;arquitectura de l&rsquo;&ograve;bra<\/p>\n<ul>\n<li>Jean-Claude For&ecirc;t &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1679\" target=\"_blank\" rel=\"noreferrer\">Joan Ganhaire&nbsp;: la m&ograve;rt, l&rsquo;amor, l&rsquo;umor<\/a><\/li>\n<li>Christian Bonnet &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1841\" target=\"_blank\" rel=\"noreferrer\">Joan Ganhaire&nbsp;: L&rsquo;Alba diss&ograve;lv los mostres<\/a><\/li>\n<\/ul>\n<p><strong>Visions du monde et importance des sens&nbsp;: <\/strong>Vision del mond e import&agrave;ncia dels senses<\/p>\n<ul>\n<li>Jo&euml;lle Ginestet &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1697\" target=\"_blank\" rel=\"noreferrer\">La perception sensible du monde selon Joan Ganhaire<\/a><\/li>\n<li>Evelyne Fa&iuml;sse &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1912\" target=\"_blank\" rel=\"noreferrer\">Jean Ganhaire, m&eacute;decin et &eacute;crivain<\/a><\/li>\n<\/ul>\n<p><strong>Fabienne Garnerin &ndash;<\/strong> <a href=\"https:\/\/plumas.occitanica.eu\/1777\" target=\"_blank\" rel=\"noreferrer\">Joan Ganhaire, bibliographie<\/a><\/p>\n<p><strong>En regard, quelques compl&eacute;ments&nbsp;: <\/strong>En regard, qualques complements<\/p>\n<ul>\n<li>Claire Torreilles &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1730\" target=\"_blank\" rel=\"noreferrer\">Manuscrits cach&eacute;s et fondations romanesques<\/a><\/li>\n<\/ul>\n<p><strong>Deux textes in&eacute;dits de Joan Ganhaire, une nouvelle de Fabienne Garnerin&nbsp;: <\/strong>Dos t&egrave;xtes inediches de Joan Ganhaire, una n&ograve;va de Fabiana Garnerin<\/p>\n<ul>\n<li>Joan Ganhaire &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1778\" target=\"_blank\" rel=\"noreferrer\">Sutor<\/a><\/li>\n<li>Joan Ganhaire &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1779\" target=\"_blank\" rel=\"noreferrer\">Garison<\/a><\/li>\n<li>Fabiana Garnerin &ndash; <a href=\"https:\/\/plumas.occitanica.eu\/1831\" target=\"_blank\" rel=\"noreferrer\">Vendetta<\/a><\/li>\n<\/ul>\n<p>https:\/\/plumas.occitanica.eu\/1599<\/p>","protected":false},"excerpt":{"rendered":"<p>revista<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-391","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/posts\/391","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/comments?post=391"}],"version-history":[{"count":0,"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/posts\/391\/revisions"}],"wp:attachment":[{"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/media?parent=391"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/categories?post=391"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/tags?post=391"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}