{"id":415,"date":"2025-12-05T20:49:09","date_gmt":"2025-12-05T20:49:09","guid":{"rendered":"https:\/\/0n4xq7byora.preview.infomaniak.website\/vocalites-doc\/"},"modified":"2026-02-11T12:48:18","modified_gmt":"2026-02-11T12:48:18","slug":"vocalites-doc","status":"publish","type":"post","link":"https:\/\/aieo.org\/fr\/vocalites-doc\/","title":{"rendered":"Vocalit\u00e9s d’oc"},"content":{"rendered":"

La revue \u00ab\u00a0Litt\u00e9rature classiques\u00a0\u00bb consacre un num\u00e9ro sp\u00e9cial \u00e0 la cr\u00e9ation occitane au XVIIe<\/sup> si\u00e8cle\u00a0: \u00ab\u00a0Vocalit\u00e9s d\u2019oc (th\u00e9\u00e2tre, chanson, po\u00e9sie)\u00a0\u00bb\u00a0, dirig\u00e9 par Jean-Fran\u00e7ois Courouau<\/p>\n

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On l\u2019ignore souvent mais le XVIIe<\/sup> si\u00e8cle est un grand si\u00e8cle de cr\u00e9ation artistique dans la langue d\u2019oc, alors couramment employ\u00e9e par l\u2019ensemble de la population dans le sud du royaume. Ces \u0153uvres, pour beaucoup oubli\u00e9es de nos jours, t\u00e9moignent d\u2019un dynamisme paradoxal \u2013 alors que triomphe la litt\u00e9rature de langue fran\u00e7aise \u2013 et d\u2019une \u00e9tonnante originalit\u00e9. Une des caract\u00e9ristiques les plus frappantes r\u00e9side dans l\u2019usage qui est fait, quel que soit le genre pratiqu\u00e9, de la vocalit\u00e9. Les paroles, les voix plurielles de tout un monde se font entendre et, tout en connaissant et en respectant les conventions tacites qui r\u00e9gissent la vie artistique de leur temps, les cr\u00e9ateurs de langue occitane jouent sur le d\u00e9calage, le contrepoint, voire l\u2019opposition plus ou moins directe. Le th\u00e9\u00e2tre, jou\u00e9 dans la rue, comme \u00e0 B\u00e9ziers, ou en Provence temps de carnaval, est le lieu d\u2019\u00e9lection de ces discordances mais on per\u00e7oit \u00e9galement ce primat accord\u00e9 \u00e0 la vocalit\u00e9 aussi bien dans la po\u00e9sie que dans la chanson, religieuse ou profane. Une pr\u00e9sence de la voix occitane qui se fait entendre jusque dans le Nouveau Monde.<\/p>\n

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https:\/\/pum.univ-tlse2.fr\/produit\/litteratures-classiques-n-117-vocalites-doc-theatre-chanson-poesie\/<\/a><\/span><\/span><\/p>\n

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Sommaire<\/p>\n

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Jean-Fran\u00e7ois COUROUAU<\/p>\n

Pr\u00e9sentation<\/p>\n

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Un autre th\u00e9\u00e2tre <\/strong><\/em><\/span><\/span><\/p>\n

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Pierre PASQUIER<\/p>\n

Du char \u00e0 l\u2019\u00e9chafaud\u00a0: les modes de repr\u00e9sentation du Th\u00e9\u00e2tre de B\u00e9ziers<\/p>\n

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B\u00e9n\u00e9dicte LOUVAT<\/p>\n

Un th\u00e9\u00e2tre \u00e0 insertions musicales\u00a0: le Th\u00e9\u00e2tre de B\u00e9ziers (1616-1657)<\/p>\n

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Jean-Fran\u00e7ois COUROUAU<\/p>\n

Des femmes d\u2019action dans les com\u00e9dies de Gaspard Zerbin (1655)<\/p>\n

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Philippe GARDY<\/p>\n

\u00c0 la recherche d\u2019un discours proven\u00e7al de l\u2019amour\u00a0: <\/span><\/span>Liseto amourouso<\/em><\/span><\/span> de Jean de Cabanes<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

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Oralit\u00e9s po\u00e9tiques et musicales<\/strong><\/em><\/p>\n

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Claire TORREILLES<\/p>\n

Jacques Roudil, po\u00e8te de Montpellier (1612-1690)\u00a0: \u00ab\u00a0Le bruit des diff\u00e9rentes voix\u00a0\u00bb<\/p>\n

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Xavier BACH \/ Pierre-Joan BERNARD \/ Louise ESHER<\/p>\n

A l\u2019hostau d\u2019ung viel renous \u2013 un branle occitan du xviie si\u00e8cle<\/p>\n

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Jean-Fran\u00e7ois COUROUAU \/ Jean DURON<\/p>\n

Les chansons proven\u00e7ales du manuscrit Deslauriers (XVII<\/span>e<\/sup><\/span> si\u00e8cle)<\/span><\/p>\n

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Sylvan CHABAUD<\/p>\n

De la chanson au po\u00e8me, du po\u00e8me \u00e0 la chanson\u00a0? Exploration d\u2019un manuscrit in\u00e9dit du XVIIe <\/sup>si\u00e8cle\u00a0: L\u2019Histoire de l\u2019Ancien Testament <\/em>en proven\u00e7al<\/p>\n

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Langues et alt\u00e9rit\u00e9s<\/strong><\/em><\/p>\n

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Gilles COUFFIGNAL<\/p>\n

Le no\u00ebl occitan imprim\u00e9 \u00e0 Toulouse au <\/span><\/span><\/span>xvii<\/span><\/span><\/span><\/span>e<\/span><\/span><\/span><\/sup> si\u00e8cle\u00a0: une approche textom\u00e9trique<\/span><\/span><\/span><\/span><\/span><\/p>\n

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David FABI\u00c9<\/span><\/span><\/p>\n

Ethnographie et lexicographie occitane au XVIIIe<\/sup> si\u00e8cle\u00a0: la voix du peuple<\/p>\n

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Michel JOURDE<\/p>\n

L\u2019occitan au loin. Pr\u00e9sences de l\u2019occitan dans les discours sur l\u2019Am\u00e9rique au tournant des <\/span>xvi<\/span><\/span>e<\/span><\/sup> et <\/span>xvii<\/span><\/span>e<\/span><\/sup> si\u00e8cles<\/span><\/span><\/p>\n

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parucion<\/p>","protected":false},"author":1,"featured_media":458,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-415","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/posts\/415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/comments?post=415"}],"version-history":[{"count":1,"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/posts\/415\/revisions"}],"predecessor-version":[{"id":488,"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/posts\/415\/revisions\/488"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/media\/458"}],"wp:attachment":[{"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/media?parent=415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/categories?post=415"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aieo.org\/fr\/wp-json\/wp\/v2\/tags?post=415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}